The Image of the Holocaust in the Television Documentary Drama Trilogy “The Chronicle of the Minsk Ghetto”

The prevailing view in modern film studies is that television documentary drama (docudrama) either a hybrid, synthesis, or genre. author of the article hypothesizes docudrama has long exceeded boundaries films and asserted its own place system screen arts on par with feature films, documentaries animated films. claims unique phenomenon generated by it combines all innovations cinema. Docudrama allows for text information to be reformatted into an audio-visual experience emotional, spectacular accurate way, therefore possessing inherent features other arts. Like forms arts, image capable evoking certain emotions makes viewer think draw their conclusions. combination artefacts quotes adds volume artistic value image. explores genesis development gives definition based key characteristics. It shows how various genres can created within docudrama, proving not subgenre genre but new independent branch highlights reason popularity lies fact historical informative material, which interesting useful viewer, presented lightweight form. This idea supported through analysis trilogy Chronicle Minsk Ghetto, Holocaust, unspeakable tragedy Jews during Second World War, shown.